Top 10 ways to make your Guitar Licks Tasty
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Hey guitar enthusiasts! If you’re looking to spice up your playing with some tasty licks, you’re in the right place. Today, we dive into 10 meticulously hand-selected licks shared by the talented Paul Davids. Each lick is a little gem, perfect for enhancing your musical vocabulary. Let’s get started!
- Lick #1: The Simple Yet Iconic A Minor Resolution
This lick proves that you don’t need many notes to create something iconic. It’s a 5-1 resolution in the key of A minor, making it perfect for harmonic minor. Start with a 1.5-step bend on fret 14 of the G string, played staccato. Release to fret 14 and hit fret 13, bend it half a step, and then release back to 13. This lick pulls notes from the E chord, giving it a unique flavor. - Lick #2: Major 7th Double Stops
Ideal for major 7 chords, this lick can be used in various keys. For example, in D major, play fret 10 of the D chord, followed by fret 11 and 10 on the G and B strings. Move to fret 12, then slide up to 14. This lick highlights the major 7th sound, adding a sophisticated touch to your playing. - Lick #3: Bluesy 6th Intervals
This lick uses 6th intervals to double the melody, starting on the B string, fret 6, and then 4 and 6 on the E string, doubling with fret 6 on the G string. It includes chromatic notes in triplets, creating a cool bluesy effect when sliding between notes. - Lick #4: E Flat Major Embellishments
Embellish any major chord with this lick. For E flat major, start on fret 6 of the A string, then move to fret 8 on the D string. Ascend and descend between the frets, then slide up to 12 and 11 on the G and B strings. This lick offers a nod to Jimi Hendrix’s style, adding richness to your chords.
- Lick #5: ‘Need Your Love So Bad’ by Peter Green
This lick is a simple yet elegant phrase from the major blues in A. Begin with fret 10 on the B string, play quick notes on fret 11 and 10 of the G and B strings, then bend fret 12 on the E string towards C sharp. It’s a beautiful example of blues phrasing. - Lick #6: BB King’s Minor Blues
In B minor, start on fret 11 of the G string, followed by fret 12 of the B string. Bend the E string on fret 12 twice, keeping the bend up to avoid a dying cat sound. This lick is a masterclass in phrasing from BB King, ending with a bend on the E string and pull-offs. - Lick #7: Acoustic Double Stops
Perfect for E minor or G chords, this lick involves sliding double stops on strings 1 and 2, fret 3. Pull off fret 2 to an open string, and slide up and down. It’s versatile for both acoustic and electric guitars, adding a rich texture to your playing. - Lick #8: Hard Rock Classic
This hard rock lick is essential, starting with a power chord A, followed by a bend on fret 7 of the G string. Incorporate a wide vibrato on fret 5, and pull off to an open D string. This lick is perfect for adding a rock edge to your solos. - Lick #9: John Mayer’s Blues
In A minor blues, use double stops on fret 7 and 8 of the B and G strings, sliding up to 9. Bend fret 7 on the G string to the flat 5, then release. This lick is versatile for both major and minor keys, providing a smooth bluesy feel. - Lick #10: Stevie Ray Vaughan’s ‘Tin Pan Alley’
A challenging lick from SRV’s slow blues in B minor, using the B minor blues scale. Start with legato patterns on fret 12 of the E string, playing 4 notes with one hit. Incorporate rhythmic variations and descending runs, sliding between frets for a dynamic effect.